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Anime: A Devastating Cinematic Weapon..

July 6, 2026 - 00:07 | Last update July 6, 2026 - 00:07

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Everything can happen, and the fluctuations of days bring a reality that was not reality but imagination. The activity of machines creates a technical accumulation that changes convictions. What we used to say, 'Don't believe what is said,' we now say: 'Don't believe what you hear or see.' Artificial intelligence has plunged us into a circle of doubt about daily events. This technology has taken over all the arts, and this statement is not a rejection, but a call to explore the secrets of this technology and how it can be beneficial.

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Anime Film Brings Reality

The dawn of replacing humans with robots has become possible news. With the tremendous energy of modern technologies, any news indicating the erasure of human physical existence no longer accelerates the heartbeat. I was walking in the corridor of this certainty, and it never occurred to me that I would cry from watching a cartoon film. What was ingrained deep down was that these films are merely productions for the amusement of children. Yesterday, tears were present and flowing as I watched an 'Anime' film. Anime films are works of Japanese animation, and 'Anime' is an abbreviation of the English word 'animation,' referring to cartoon films. Just as concepts are rapidly changing now, these films are no longer merely cartoons viewed with disdain; they have gained a prominent position in global cinema and compete for top spots in international festivals, with some even winning Oscars.

Many times, and at various ages, I watched dozens of cartoon films with an imaginative character that aligns with a child's boundless imagination that loves to penetrate reality, implicitly proving that behind reality lies a different reality from what we live. However, Anime films sensed that reality had been usurped, so their producers wanted to bring us back to humanity with its sorrows and hopes. Anyone who watched the anime film 'Grave of the Fireflies' will inhabit that reality and interact with its characters, cartoon characters that managed to draw you into their reality, embodying the human tendency in its weakness, pain, and brokenness.

The film 'Grave of the Fireflies' is based on the novel by Japanese author Nosaka (who died in 2015). The novel won the Naoki literary prize. It remained imprisoned in paper and memories, as it was written in 1967, until it was noticed when adapted into an anime film in 1988, making the film a retrieval of the greatness of the written novel.

Aside from what has been said about the novelist and what he witnessed during World War II and his relationship with his sister, whom he wronged in reality, and when he wrote the novel as an apology for the pain he caused her, the film offered a long apology to that child who died, residing in the hearts of everyone who watched the film.

I want to emphasize that the film or drama industry (in the world) has the novel as its vital energy. For our filmmakers, there is a reminder to read our narrative products, for within them lie treasures of human characters capable of inspiring creativity among local cinema directors.

Everything can happen, and the fluctuations of days bring a reality that was not reality but imagination. The activity of machines creates a technical accumulation that changes convictions. What we used to say, 'Don't believe what is said,' we now say: 'Don't believe what you hear or see.' Artificial intelligence has plunged us into a circle of doubt about daily events. This technology has taken over all the arts, and this statement is not a rejection, but a call to explore the secrets of this technology and how it can be beneficial.

* *

The 'Anime' Film Brings Reality

The dawn of replacing humans with robots has become possible news. With the tremendous energy of modern technologies, any news indicating the erasure of human physical existence no longer accelerates the heartbeat. I was walking in the corridor of this certainty, and it never occurred to me that I would cry from watching a cartoon film. What was ingrained deep down was that these films are merely productions for the amusement of children. Yesterday, tears were present and flowing as I watched an 'Anime' film. Anime films are works of Japanese animation, and 'Anime' is an abbreviation of the English word 'animation,' referring to cartoon films. Just as concepts are rapidly changing now, these films are no longer merely cartoons viewed with disdain; they have gained a prominent position in global cinema and compete for top spots in international festivals, with some even winning Oscars.

Many times, and at various ages, I watched dozens of cartoon films with an imaginative character that aligns with a child's boundless imagination that loves to penetrate reality, implicitly proving that behind reality lies a different reality from what we live. However, Anime films sensed that reality had been usurped, so their producers wanted to bring us back to humanity with its sorrows and hopes. Anyone who watched the anime film 'Grave of the Fireflies' will inhabit that reality and interact with its characters, cartoon characters that managed to draw you into their reality, embodying the human tendency in its weakness, pain, and brokenness.

The film 'Grave of the Fireflies' is based on the novel by Japanese author Nosaka (who died in 2015). The novel won the Naoki literary prize. It remained imprisoned in paper and memories, as it was written in 1967, until it was noticed when adapted into an anime film in 1988, making the film a retrieval of the greatness of the written novel.

Aside from what has been said about the novelist and what he witnessed during World War II and his relationship with his sister, whom he wronged in reality, and when he wrote the novel as an apology for the pain he caused her, the film offered a long apology to that child who died, residing in the hearts of everyone who watched the film.

I want to emphasize that the film or drama industry (in the world) has the novel as its vital energy. For our filmmakers, there is a reminder to read our narrative products, for within them lie treasures of human characters capable of inspiring creativity among local cinema directors.